Bob Dylan in Rio de Janeiro: When Gods fall

15.04.2012 Citibank Hall, Rio de Janeiro. Eine Band betritt die Bühne, darunter ein schwarz gekleideter Mann, der sein Gesicht unter einem Hut mit breiter Krempe versteckt.

Bob Dylan?

When Gods fall

A legend you were, a monument,

What happend tonight I can’t understand,

You were hiding your face, you cawed like a crow,

it was in Rio, I was in your show,

I remembered I prayed let him not be you,

I said to myself, this can’t bet true,

When you tried to sing „How does it feel“

Than it was about the time to reveal,

how you sang the song that said it all,

and this is what happens – when gods fall.

.

You did not knock on heavens door,

none of the songs, they were waiting for,

no Tambourine Man, no Hurricane,

o yes the times haved changed since than,

How does it feel, I asked myself,

when a legend now destroys himself,

Yes when you sang „How does it feel“,

it was about the time to reveal,

no words of welcome, 100 minutes was all,

and this is what happens – when gods fall.

.

You did not connect, you were like a wall,

and this is what happens – when gods fall.

Ein Gedanke zu „Bob Dylan in Rio de Janeiro: When Gods fall

  1. Raggedsurfer

    Citibank Hall, Rio de Janeiro, 8:45 pm. Fifteen minutes left to the beginning of
    the 2012 version of Bob Dylan´s “Never Ending tour”. Taking a quick overview
    at the venue one thinks that tonight, Bob will play to a half-empty theatre.
    Hard to think something like this could happen knowing two of his six concerts
    in Brazil are sold out, although the high prices of tickets in Rio may have driven
    away audiences. A better explanation is the well-known habit of “cariocas”
    (native of Rio) always being late for events, which actually did happen; when
    Bob kicks off with Leopard Skin-pill box hat, almost every chair on the front
    rows are taken.

    This traditionally opener shows Bob and the band with good energy, but at
    the end the act was plain. However the second tune, It ain´t me, babe,
    repeats itself as the second song in Rio´s last presentation in 2008: Bob on
    guitar, this time with Charlie Sexton on his side, start a conversation that
    would turn out brilliantly some songs later.

    Next, a beatiful version of Tangled up in blue. Bob singing loud and clear,
    always starting the chorus out of time, and pleasing the audience with
    harmonica solos. After a flat version of Things Have Changed, the band did
    it´s best in The levee´s gonna break. Tony e Charlie facing Bob all the time,
    while he beat his Korg keyboard, giving a quicker rhythm than the original
    version, and stretching the instrumental part. A great performance, but not
    so pleasing to the local audience, apparently not so familiar with Together
    Through Life tunes. Beyond Here lies nothin´ showed his great power when
    played live, and following, one of the highlights of the night; with a great
    voice, clean as ever, Bob chanted from beginning to end, Desolation Row,
    uttered every silable in a stressed way at the last chorus (“de-so-la-tion-row”!),
    and conducting the song in a very similar (but better!!) way to the famous
    Mtv Unplugged register of 1994.

    On Summer Days, Bob gave the control to the band for a few minutes, like
    he has done before, and just observed enigmatically from the corner,
    sometimes seeming to want to blow up the band at any moment, while
    impatiently tapping his fingers (Was he roll playing?). Then he went back to
    the guitar, this time to make solos with Charlie on an amazing version of
    Simple twist of fate, another highlight, as moving as the original, but maybe
    not as dramatic, and undoubtedly less mellow. Perhaps as a result of the
    almost forty years of distance of the pain that gave birth to the song.

    The moment to please the audience, as usual, with Highway 61, a little pause
    with Forgetful Heart, and Thunder on The Mountain was a warm up for the
    last highlight of the night. A provocative, enthusiastic, bizarre performance of
    Ballad of a Thin Man, with Bob swinging between the two microphones, in the
    center and on the left side of the stage, facing the band while his apocalyptical
    voice echoed with sound effects. After that, he suddenly starts and hastily
    finishes Like a Rolling Stone and a too noise All Along the Watchtower, with
    no encore, both performances don´t live up to the grandeur of those
    monumental songs.

    At the end, a great, but not fantastic concert that left us with great
    expectations, curiosity and yearning for the next shows. Tomorrow is a long
    time, but let´s will see what happens a mile away from the beaches of Rio,
    at “Teatro Nilson Nelson” in the Brazillian backlands on Tuesday night

    Antworten

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